As The Reluctant
Fundamentalist premieres in Pakistan on Thursday, the film’s subject continues
to be as pertinent as when the words ‘suicide attack’ and ‘religious
extremists’ became a regular part of our political discourse. When Mohsin Hamid
published his book in 2007, the slim novella was preternaturally timely: barely
six years after the 9/11 attacks, Hamid managed to capture the anxiety,
disillusionment and alienation of American Pakistanis facing the fallout of the
war on terror.
Strip searched,
deported, pulled off airplanes, and grilled and scrutinised endlessly, these
students, residents and citizens of Pakistani/Muslim origins in the US were
dismayed to find out that they could no longer achieve the American dream they
aspired to.
The novel centred
on a young man, Changez, whose disillusionment leads him from Wall Street to
the lanes of Lahore as he abandons his American dream and becomes what some may
call ‘radicalised’. Years before the Raymond Davis incident was splashed on our
front pages, The Reluctant Fundamentalist depicted Changez recounting his
metamorphosis to an American – presumably an intelligence operative – at a café
in Lahore.
The Reluctant
Fundamentalist may have been an artistic endeavour, but it hit a raw political
nerve, resonating deeply with readers, not all of them necessarily of a Muslim
background. Indian filmmaker Mira Nair, who was enchanted by Lahore when she
first visited it, resolved to make a film set in that historical city. A
‘mongrel’ or ‘hybrid’, much in the same manner Hamid describes himself, Nair
had lived in South Asia as well as the US, and could identify with the
situation presented in the novel. Of course, though she is rarely introduced as
such, Nair is the wife of the esteemed scholar Mahmood Mamdani, who has written
extensively on the war on terror and has questioned the assumption that people’s
political behaviour can be deduced from their religion.
“There is no reason
to believe that Changez is religious,” stresses Hamid. “But because he is
mistrustful of the US, he is perceived as a fundamentalist. It is a political
issue; I don’t think it’s about religion.”
The book contains a
critique of US foreign policy, but more deeply, it shows the reciprocal
mistrust in east-west relations. Hamid’s book has steadily accrued accolades
since its publication, including a run as a New York Times bestseller and a
nomination for the Booker Prize. With this film adaptation starring big names
like Kate Hudson and Kiefer Sutherland, it will reach a much wider audience.
Its release in Pakistan is a reminder of the kind of art that results from
collaboration across borders, and also of the raw talent that this nation
posseses.
Published in The
Express Tribune, May 24th, 2013.
No comments:
Post a Comment