Apart from the sweltering heat and inescapable
load-shedding, June has brought with itself the much-awaited music release of Pakistani
film, Zinda Bhaag. Music director Sahir Ali Bagga has given deep thought to the
compositions and has asked renowned singers such as Rahat Fateh Ali Khan and
Arif Lohar, to lend their voices to the melodies. The film has been co-directed
by Farjad Nabi and Meenu Gaur aka Farjad and Meenu.
“Both of us are big fans of old film music. We
have a collection of music from the ’60s, ’70s and ’80s,” says Nabi, adding
that classics have inspired him and Gaur every step of the way. “There are
seven startlingly different songs in the film.” Produced by Mazhar Zaidi, the
film boasts seasoned Indian actor Naseeruddin Shah as a cast member and also
features several local theatre artists.
The film’s music is primarily local Lahori pop.
“Our stories have been told through songs for centuries,” Nabi adds. “We have
adopted a specific form of storytelling in Zinda Bhaag, where the songs are
central to the film’s narrative and if you remove any of the songs, you will
lose a part of the story as well.”
Talking about how the music has been interlaced
with the movie’s script, Gaur says, “It masks a class bias which suggests that
films laden with [shallow] songs provide mindless entertainment for the wider
audience as opposed to more mindful art cinema liked by the educated elite.”
She adds, “It was a deliberate decision to use songs in a traditional and filmy
way.” He feels South Asian films provide a platform for expressing emotions.
The original soundtrack (OST) of the film, sung
by Rahat Fateh Ali Khan, will also be the first original qawwali he has ever
performed. Written by poet Hassan Mujtaba, the song is simple yet haunting.
Bagga has a dominant footprint in the recording of this track; it features a
cellist and several violinists from the Pakistani film industry.
“I have
worked the hardest [in my life] to produce the music of Zinda Bhaag,” says
Bagga, proud of his achievement. “We have a filmy qawwali; this has been
missing from the industry for the past 35 years.” He admits it took him 20 days
to compose the OST. “Producing qawwali is difficult because you need to have a
grip on classical music and the qawwal [singer] as well,” Bagga adds.
“Zinda Bhaag’s music is quintessentially
Pakistani — from the musicians to the singers,” says the music director.
Apart from Rahat, the film’s music also features
voices such as Abrarul Haq, Arif Lohar and Saleema Jawwad. Lohar and Jawwad
have sung a song on love and death while Bagga has contributed his vocals to
two tracks, an upbeat dance-bhangra number and a romantic ballad. Famed
novelist Mohammed Hanif has also written a song, which is satirical and aimed
at the hypocrisy of the elite class. It’s been sung by Jabar Ali. Gaur and Nabi
have also co-written a duet which is sung by Iqra Ali and Amanat Ali — the song
is filmed as a dialogue between a girl and boy in a classic-film style.
Published in The Express Tribune, May 31st,
2013.
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