Not only Indian
leaders or politicians but Producers, Directors and Actors linked with Indian
media have been always on the front to spread hatred against Pakistan and to
destroy the foundation of Pakistan i.e. Two Nations Theory. This is the
propaganda of Indian media and film industry that the venom of hatred against
Pakistan has been injected in the blood of the Indian society. This is why in
Indian elections, political parties are not chosen due to their developmental
work, solution of public problems but the harm done to Pakistan or threatening
statements given against Pakistan. As a result of such standard of getting the
votes the topic of Indian politicians remains limited to propaganda against
Pakistan, Pak army and ISI.
If we analyze the
use of Indian Film Industry or Bollywood against Pakistan as a weapon that
India has produced more than two dozen movies against Pakistan, Pak Army and
ISI; some movies directly hit Pakistan and Two Nations Theory through
characters and places while some target Pakistan symbolically. The top of the
list anti-Pakistan movies include Sarfrosh (سرفروش), Hindustan Ki Qasam (ہندوستان کی قسم), Pukar (پُکار), Roja (روجا), Border (بارڈر), Bombay (بمبئی), Earth
1947 (ارتھ 1947), Train to Pakistan, Hai Raam (ہائے رام), Auzaar (اوزار) and
Mission Kashmir. When Indian movie viewers get out of cinema after watching
Indian movie Border they are chanting slogans against Pakistan; free shows are
organized for students to watch Border movie. Indian movie Hindustan Ki Qasam
carries the propaganda that Pakistan Army and ISI are the only hurdle in the
way of peace between India and Pakistan; same allegation has been repeated by
Indian PM Manmohan Singh and FM Suleman Khursheed through such propaganda they
are attempting to misguide world that Pakistan Army and ISI is the only cause
of tension over LoC (line of control), Pak Army targets Indian posts to
facilitate millitants to infiltrate into IoK (Indian Occupied Kashmir) while
ISI provides financial support to Kashmiri Freedom Fighters.
In Indian movie
AUZAAR the dialogue from character of hero, “Pakistan is present on the map
because of India; if at the time of partition India had not paid 65 million to
Pakistan than Pakistan would not have been present over the map of the world”
was repeated for a long time by Indian politicians while addressing public for
votes. Indian movie PUKAAR goes one step ahead of moral values and Pakistani
leadership have been abused in this movie showing the bitter reality of Hindu
mind. The founder of anti-Pakistan movies and dramas was Prithvi Raaj Kapoor,
who produced Indian drama “DEEWAR” (دیوار) that is the only Indian drama that has been
telecasted for five years continuously. Getting motivated from this
anti-Pakistan and anti-Two Nations Theory drama series, producers Bombay film
industry belonging to Madras, Manoj Kumar and Shanta Ram laid foundation of the
anti-Pakistan movies. Manoj Kumar’s movie “BHARAT” was produced. Afterwards
Prithvi Raaj Kapoor, KN Singh, IS Johar and Rama Sagar whose anti-Pakistan movies
have been appreciated by Indian Congress party were invited to meet Indira
Gandhi. Indira Gandhi requested them to produce anti-Pakistan movies so that
Bengalis in Eastern Pakistan could be instigated for hatred and treason against
Pakistan.
After Indira, Rajiv
Gandhi continued funding of anti-Pakistan movies through RAW and this was due
to the funding by Rajiv carried out through RAW that underworld access to
Indian Film Industry and afterwards through proper planning links of famous
Indian actors and actresses were established into Pakistan. In other words, on
one hand propaganda against Pakistan, ISI, Pak Army, LeT (Lashkar e Taiba) and
Kashmiri Mujahedeen was continued while on the other hand famous Indian actors
visited Pakistan to participate in peace conference, peace delegations etc. and
gave lectures over friendship and peace between Pakistan and India. All these
efforts are concentrated on one central idea i.e. Indian public and
international community could be forced to believe that Pakistan is the only
country that is threat to international peace, supporter of terrorists and
religious extremism and Pakistani public should be taken into control through
sexy Indian actresses and wicked so-called intellectuals. Indian beauties sent
to Pakistan were briefed that their target would be greedy businessmen and
industrialists, licentious elite, intellectuals and journalists devoid of religious
values. Now how much these agents launched by Indians succeeded in weakening
the Two Nations Theory and how much Indian movies infected Indian and
international public one can easily imagine that. The bitter reality is that
not a single anti-Pakistan movie have been condemned by Pakistan or Pakistani
public protested against it; not a single column has been written, not a single
TV talkshow condemned anti-Pakistan Indian movies, Free Pakistani media did not
feel any need to discuss Indian propaganda, not only this but our govt. is not
concerned about destructive Indian weapon of PROPAGANDA.
The strange fact is
that only a single movie produced in Pakistan unveiling the real face of India
“WAAR” has jolted India. Whether it is DurDarshan national Indian channel or a
private channel no one has been left behind in expressing unrest or dislike
over Pakistani movie. Many TV Channels telecasted analyses consisting of
selected Scenes from the movie for 15 minutes, not only this Indian newspapers
did not remain behind in this propaganda. Hindustan Times even wrote that the
script of Pakistani film was written by “ISI” and funded by ex-Don
One may remember
that Dawood Ibrahim is wanted by India for some bomb blasts that happened in
1990, after fleeing from India he is now living somewhere underground. There
are reports that he is living in New Delhi with new identity but India has left
no stone unturned to prove that he is hiding in Pakistan, Indian govt. has
repeatedly alleged that he is under protection of Pak Army and ISI. However, world
and especially USA is not ready to accept Indian allegations. Let’s come back
to today’s topic Pakistani movie, WAAR that has broken the records of business
on its first day of launch produced in the Pakistani Film Industry that has
been completely destroyed. Cinemas have either being converted into Theatres or
replaced by Plazas, the remaining cinemas are nothing more than haunted houses.
Pakistani movie
WAAR broke out all the records of Pakistani Film Industry and business on its
first day. At least why? Is this the question that has Indian politicians and
media restless? Does India think that if Pakistani Movie relives than Indian
movies will have no place in Pakistan and India will lose that extra financial
source? This is the point of view of Pakistani business class but the truth is
that the actual cause of Indian unrest is the story of WAAR movie that unveils
Indian armed interference and terrorism in Pakistan. Anti-Pakistan politicians,
rulers and intellectuals in India have become aware that the fame and huge
business of WAAR shows that Indian trap of AMAN KI ASHA and other plans of
India to entrap Pakistani public have badly failed on which India has invested
trillions of rupees in last three decades. An Indian journalist writes that the
success and mega business of WAAR is a referendum against India in which
Pakistanis have stamped on YES that INDIA IS INVOLVED IN TERRORISM IN PAKISTAN.
In this state of
worriedness and unrest India is alleging ISI and Dawood Ibrahim for this movie.
Not only this in the Hindustan Times on 29 September 2013, a story was filed on
the first page that Pakistan’s secret agency ISI and Dawood Ibrahim are jointly
going to launch a TV Network, The Bol Channel Network. The purpose behind this
nefarious report was to defame Pakistan that WAAR is joint venture of ISI and
Dawood Ibrahim, moreover Dawood Ibrahim is not only under protection of ISI in
Pakistan but also doing business as well. However, when the owners of Bol TV
Network sent legal notice and threatened to take legal steps against newspaper,
Hindustan Times took back its news report saying that on the investigations the
report has been proved to be fake thus this report against BOL TV Network has
been removed from pages of Hindustan Times. This proves that Indian media and
film industry can go to any limit against Pakistan but cannot tolerate only a
single film as reply…
Article By Khalid Baig (Nawa-e-Waqt)
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